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Frida: A Biography of Frida Kahlo, by Hayden Herrera

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Review

"A haunting, highly vivid biography." (Ms. magazine)

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About the Author

Hayden Herrera is an art historian. She has lectured widely, curated several exhibitions of art, taught Latin American art at New York University, and has been awarded a Guggenheim Fellowship. She is the author of numerous articles and reviews for such publications as Art in America, Art Forum, Connoisseur, and the New York Times, among others. Her books include Frida: A Biography of Frida Kahlo; Mary Frank; and Matisse: A Portrait. She is working on a critical biography of Arshile Gorky. She lives in New York City.

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Product details

Paperback: 528 pages

Publisher: Harper Perennial (2002)

Language: English

ISBN-10: 0060085894

ISBN-13: 978-0060085896

Product Dimensions:

6.1 x 1.4 x 9.2 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

82 customer reviews

Amazon Best Sellers Rank:

#15,799 in Books (See Top 100 in Books)

I bought this book after re-watching the movie taken largely from this exhaustive biography. As someone who has read many bios, let me say that this is a refreshing and encouraging alternative to the fawning and excessive grocery store drivel and/or the dull and fact-filled dissertations that describe most biographies. Hayden Herrera manages to combine a staggeringly comprehensive detailing of Kahlo's life with an easy prose that makes for an engaging read. I know far more about this artist than I could've imagined and it is largely first-hand accounts either from the pages of Frida's own diaries and numerous letters or the people who were there. Herrera keeps her personal opinions regarding the events to a minimum and allows the events to speak for themselves. The life of Frida Kahlo needs no additional padding or maudlin tricks to engender a connection to anyone with a heart and soul. When the author does speculate, it comes from someone who has clearly studied her subject thoroughly and backs up her theories with a wealth of compelling evidence and sensible arguments. While her appreciation for Kahlo is obvious, Herrera does not stop short of being critical, questioning Kahlo's motives, and revealing the stark humanity and insecurity that Kahlo tried to obscure with her public persona as the confident, outspoken, provocative enchantress sporting her exotic Tehuana finery.However, the best use of Herrera's research and the clear compassion and empathy she has for this incredible woman is when she analizes Frida's paintings. I found myself continuously turning back and forth from the detailed observations and interpretation to the paintings and trying to understand what the author is talking about. It was fascinating reading and a wonderful exploration that shed light into the depths of Frida's intensely personal art.Two last notes: First, the version I bought does not sport Salma Hayek on the cover but instead one of Frida's many self-portraits. Apparently the publishers corrected this unfortunate decision based on movie marketing. Second, I was fortunate enough to take in the amazing exhibit of Frida Kahlo at the Philadelphia Museum just a few weeks ago and it was a moving and special day. Seeing the actual frames dripping blood, the size and grandeur of some of the works juxtaposed with the smaller works, and the sheer emotionally gravity of her art was something I'll never forget. Having read much of this biography by that time, I was able to bring that much more to that exhilarating opportunity.Frida Kahlo was not just an extraordinary artist but was moreover an extraordinary person. Herrera's heartfelt, deeply researched, and brilliantly written biography allows those of us who never knew her to feel as if we have and to share in the universal quality of her painful work. That alone makes us better people for having experienced it.

The fact that this book has an actress on the cover instead of a photo of Frida is unacceptable to me. I pray if there is ever a biography about said actress, may they put a photo of Frida smack on the cover.

I agree as some reviewers have noted that this book is a bit light on Frida's feminist and political traits and actions, buys into gender stereotytpes somewhat and so misses the complexity of her character and that some of the art analysis given seems to contradict what Frida herself has written on paintings or just seem very unlikely and a bit of a stretch.One reviewer wrote: 'Herrera makes her out to be a Diego obsessed, pain obsessed sack of shit, and I'm not buying it.'There is a lot of careful and meticulous research in this book and the author has done a amazing job putting so much information together in such a readable format.But several times in the book the author concludes things about Frida's motivations and attitudes to her illnesses struck me as perhaps quite unfair and unlikely. The conclusions didn't seem to match the evidence.Frida's letters to her doctor friend, several of which are included in the book, made it very clear that she was anxious to have more surgery only if it'd really help her and if he thought it was a good idea. To me she was very clearly motivated only by a desire to have the best health when she decided on a surgery or decided against it. She really wanted this doctor's unbiased opinion either way. She was certainly not biased towards surgery and didn't take it lightly, as she knew what a cost it'd have during recovery.Yet Harrera writes that Frida's surgeries were often very 'conveniently' timed with periods where Diego's attention may have been straying from Frida. She also comments in a quite loaded way that many of her surgeries were 'unnecessary.'Clearly Frida had a strong link with Diego, maybe even an obsession, but I think it is going too far to say she had unnecessary surgeries so as to elicit his attention. She was so much more of a complex and intelligent person than that and he was not the only motivation for her actions. It is easy to write now that some of those surgeries were unnecessary (and they were)...but then, many treatments those of us that are ill try are unnecessary. The point is that you don't know that until afterwards!Having something to hang your quiet backgound-rumble-of-hope on - a new surgery, or diet etc. - is a huge part of what keeps you going when you are ill. What keeps you from giving up and lets you get through your difficult days with laughs and a few smiles. If she were not so concerned with improving her health she would not have put herself through so much and risked so much to try and improve it. This book talks of Frida's 'desperate hope' and I think that is just what she had.I'm sure the heavy drinking didn't help - nobody's perfect - but I think it is unfair to say that Frida would have made herself bedbound for months after a risky surgery because it might improve her love-life in the short term.It is so easy to write 'she was bedbound for 4 months' after a surgery. But to actually experience being bedbound, relying on others for every small thing and being unable to paint - to do the one thing you love so very much - for 4 months is a thing of immense magnitude. The difference between being bedbound for a month or 2 or 4 is very hard to put into words.Each day and week and month of being bedbound contains so much suffering and being utterly miserable. Every week or even hour counts. There are big sufferings and small ones and a loss of dignity and the soul-destroying feeling of being dependant on others for everything. There is so much more suffering than you can imagine, if you haven't done it. Try it for a month... or a week, and see how likely you'd be to do it to yourself again if you could at all avoid it. For any reason not connected to your health.Frida's illness made her oppressed by tedium, very lonely and sometimes possibly suicidal. Frida wrote after one surgery that she was going through 'a desperation that no words can describe' and said that she was 'happy to be alive so long as I can paint.'Personally I don't buy that someone as remarkable, independent and painting-obsessed as Frida would give herself even one extra month of being bedbound (and unable to paint or even to SIT) and an unpleasant and unnecessary surgery, on purpose, let alone just to get attention from someone else in such a weak and manipulative way.Playing up certain aspects of illness, or exaggerating them at times and demanding more care and attention from others after a surgery - maybe, but not that.Just my opinion.What I know for sure is that Frida was a remarkable, fascinating and complicated individual and a brilliant artist. I enjoyed seeing some of the paintings reproduced in this book (small and not next to the actual text which described them, as annoying as that was!). Some I hadn't seen before and I now want to see as many of them as I can, as well as learn more about Frida.This was an interesting read overall. I'm glad too I got a copy with a Frida painting featured on the cover and not the movie-tie-in image of an actor - hate when publishers do that!I'm looking forward to reading 'Devouring Frida' now, which comes highly recommended

Well i'm afraid i have no good review to leave since the book i got sent was the wrong one. Although it is about Frida Kahlo it is not the one i ordered, but by a different author....in SPANISH.I'd send it back if i could except its not possible since i live on a US military base abroad. If the seller would like to send me the right one in English by Hayden Herrera and not Rauda Jamis then that would be great since i still really want to read the book.

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